Natali Downing

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Artist ​Biography​

Artist, Natali Downing, born in 1982, currently resides in Mossel bay, South Africa. She completed a Bachelor of ​Visual Art at the University of South Africa as a distinction student in 2019. Before commencing her studies in ​2014, she completed an LLB degree also at Unisa. Her art practice stems from a research-led creative ​process. Previous works include knitted edifices, appliqué and sculptural installations, and photomontages.


Since 2017, she has worked part time as an production assistant for an artist and taught art at secondary and ​tertiary level while completing her studies. She has also presented lectures on her creative methodology to ​fellow Unisa students and at several workshops. She feels that process and research in her art making is an ​area that specifically informs her work. Currently she is hosting various workshops in her area and enjoys ​creating curriculums and content for them. During the week she presents several freeform art classes at her ​home studio.


Downing has participated in several group exhibitions including ‘Is ons nog ‘n ding?’ at the Klein Karoo National ​Art festival in 2023. In 2022, she participated in a mentorship programme and exhibited at the Turbine Art fair ​‘Unearthed Project’ Booth. Before that she exhibited in ‘The For Sale Project’ at the Pretoria art Museum in 2019.


As a multidisciplinary artist, Downing concerns herself with historic and contemporary underlying social issues, ​particularly to her own position in society, that of a white woman living in a post-apartheid South Africa. She ​has an urge to unearth and subvert the ideological ailments embedded in these social systems in her art. ​During her studies her focus has primarily been delving into domestication and the state of mind of South ​African women. Despite having an Irish surname, she primarily grew up in an Afrikaans household. She ​recently relocated to a conservative white community and is motivated to critically examine the Afrikaner ​culture, asking anthropological questions around what that she observes. She aims to further concentrate on ​this dense subject matter in the future.



Group Exhibitions

2023

Is Ons Nog ‘n Ding?, Klein Karoo Nationale Kunstefees, Oudsthoorn.


2022

Unearthed Mentorship Programme, Turbine Art Fair, Rosebank, JHB.


2021

The Viewing Room Gallery- Interlace, Brooklyn, PTA.

Thread(ed): interlacing womxn in the 21st century. Arts Association PTA.


2020

The Viewing Room Gallery-December-January Group, Brooklyn, PTA.

The Viewing Room Gallery- Unburdened Wilderness, Brooklyn, PTA.


2019

The Unexpected: The Viewing Room Gallery,Brooklyn, PTA.

Student Exhibition, Arts Association of Pretoria,Brooklyn, PTA.

Breaking Down The Walls Student Exhibition, Arts Association PTA.

The For Sale Project, Pretoria Art Museum, PTA.


Above: Work in progress. Natali Downing, Kom Ons Braai Saam Pa. ​2023. Oil based enamel on Found Mirror. 101cm x 47,5cm. Framed ​in Kiaat

Above: Natali Downing, Kom Ons Braai. 2023. Oil based enamel on ​Found Mirror. 101cm x 47,5cm. Framed in Kiaat

Above: Natali Downing, Pille Vir Kersfees. 2023. Oil based enamela ​a on Found Mirror. 101cm x 47,5cm. Framed in Kiaat

Above: Natali Downing, Wys My Jou Vleis. 2023. Oil based enamel ​on Framed Found Mirror. 66cm x 52,5cm.

Above: Natali Downing, Family Portrait I-IV. 2021 -2023. Oil based enamel ​on Found Mirror. 17,2cm x 17,2cm each. Framed in Kiaat.

SOMETHING WICKED THIS WAY COMES (2019)

Above: Natali Downing. Hell’s Kitchen. 2019. Digital ​photograph on Photorag. 594mmx415mm

Frucinni

Above: Natali Downing. Daylight Robbery. 2019. Digital ​photograph on Photorag. 531mmx420mm

Above: Natali Downing. Stab, Stab, Stab. 2019. ​Digital photograph on Photorag. ​570mmx420mm

Above: Natali Downing. Hit Me Baby One More Time. 2019. Digital ​photograph on Photorag. 570mmx420mm

Right: Natali Downing. No Guns, No Money. 2019. ​Digital photograph on Photorag. 537mmx420mm

Left: Natali Downing. House Invasion. 2019. ​Digital photograph on Photorag. ​594mmx330mm

Right: Natali Downing. The Party isn’t Over Till The Cat Lady Dies. ​2019. Digital photograph on Photorag. 594mmx415mm

Left: Natali Downing. Bathrooom Boogey. 2019. Digital ​photograph on Photorag.

561mmx420mm

From above,across to next page; ​Natali Downing. Something Wicked ​This Way Comes. 2019. Installation ​View and Detail. Dimesions Variable. ​Video, Calico, newspaper and found ​objects, Pantyhose, paint and ​microfibre stuffing.

I have no interest in pursuing this further, Turbine Art Fair Unearthed project

Above: Natali Downing, I have No interest in pursuing this further. ​2022. Knitted Pantyhose, Found Mirror, Found frames and Printed ​Canvas. Dimensions Variable.

Media

In​terviews

Radio Interview- RSG Kuns, Interview ​about 4th years Installation, Unisa ​Gallery, by Christelle Webb Joubert-7 ​December 2019


Articles

2024 Mosselbay Advertiser


2​0​23 TurbineArt Fair Unearthed mentorship project​ - https://drive.google.com/file/d/1X2ozU_uu58Mf4_4eZNl4​ZwrA5AoMyBAU/view?usp=shari​ng

Natali Downing

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@natalidowning


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Email: natalidowning@gmail.com


Phone: +27 84 251-285​5